Showing posts with label Muse. Show all posts
Showing posts with label Muse. Show all posts

Sunday, October 12, 2014

Artist's Sunday #9: Delicious, Rich, Creamy, Sensual...

...Amber. 

I bet you were expecting something like "lotion" or something foodie-related... but instead today is about Amber.

Amber is a fossil; tree resin (sap) that hardened and fossilized to form the delightful gemstone that ranges in shade from an almost-white cream to a deep brown that is nearly black. There is also Green Amber and Blue Amber, which is the most rare, and found almost exclusively in the Dominican Republic. In fact, blue amber only looks blue in certain light, because of its inclusions. Some of the most desirable pieces have preserved insects or small lizards captured within. Its colors are perfect for harvesttime, blend seamlessly with silver, and go with nearly any other color imaginable. It's the perfect statement accessory, and can be found in so many varieties of color and shape that the possibilities are endless. It is easily carved, polishes beautifully, and even looks gorgeous in the raw! When in the raw, it exudes an oil that is mildly anesthetic, hence its popular usage as a teething remedy, effective for both moms and babies. Essential oils and perfumes can be made from it.

This is, in my opinion, *the* gemstone for autumn. If you've ever seen it or touched it you know what I mean. The colors mirror the changing leaves. The texture is smooth when polished, like a misty autumn day... and it's one of my favorites, if you couldn't tell.

Now, on to the arts!

I have featured this artist before, but these wearable sculptures were too perfect for this edition of Artist's Sunday, so I had to feature another piece:



















Until next time...
-your Artful White Fox

Thursday, April 3, 2014

Foxfire Daily: Art as a Business

A friend and I were recently having a (slightly) heated discussion about to sell or not to sell art. It got me thinking...

He made a simply stunning butterfly-wing rose trellis, which I spotted pictures of on his Facebook, and then he made a comment that he has a problem with charging people for his art. "It's a moral dilemma," he said. "...the Greek word for art is tekne. The Greeks never separated art from technology, so as I see it, whether I'm machining, welding, wood working, fitting pipe or otherwise, as long as I put love in it, it is art. The things that I make at home, I make out of love and share with love. If you want me to post pictures fine. But I don't like selling art."

I love his perspective. I love his attitude about it. He's right! We shouldn't (have to) charge money for our art... but this is the world we live in. It is unfortunate. It's a hateful thing. If I could, I'd give away every piece I make. But I can't afford that. I have to buy materials. I have my family to think of. I'm slowly building a reputation as an artist, both in the artistic community and with those who enjoy our art from the other side, customers and fans. And I respect other artists, who *need* the money their art brings them, enough to support the idea that artists should be paid for their art.

We deserve it.

Now, I have to say this... I do *not* disagree with his viewpoint, nor is this an attempt to rant or argue in response to his opinion, but as I said, it got me thinking.  And we all know, when something gets me thinking, I have to write it down. And I love finding out what other people think. I think there are a lot of things we don't think about when deciding whether or not to sell our art.

Namely, that there are other things to consider as an artist besides having a fundamental personal issue with selling art, or even whether our art is only supporting ourselves. I make gifts for Christmas or birthdays, or because I think someone needed a pick-me-up; I have donated to giveaways. I even donated to a friend's church's charity silent auction. However, on a day-to-day basis, there's also the artist/artisan/crafter community at large to think of. Gifting to friends and family is one thing. If you give away art as a rule, then someone who might have given money to another artist will come to you instead, and that other artist may have needed that purchase to pay rent, or buy food, or... well, you get the idea.

And, there are certain fundamental rules to follow as an artist. Some are more important than others.

My #1: Always document your work. The reason? It's *your* work.
::Use the pictures to mark your progress, improve on old mistakes, and discover how to make new mistakes work for you. I have kept every sketchbook I've ever doodled in. I go back and look through them sometimes, just to see how far I've gotten. It's one way I encourage myself to keep improving.
::If you ever get commissioned, you're going to want examples of your work to show your customer.
::If you ever get employment as an artist, you need a portfolio.
::And God forbid anyone should ever steal your work. But someone else claiming your work as their own and/or making money off your work, (whether you do or not) without your permission, is illegal, immoral, and just plain hurtful to us artists. Always, always, always have dated & signed/logo-ed/watermarked pictures of your work. Always.

If you do or don't sell your art, remember that you are a representative of thousands and thousands of other artists across the globe. Many of them make a living off their art. Many of them have a day job and use the money from selling to put back into their art - materials, tools, etc. Some few are successful enough to be able to quit that day job and pour every waking minute into what they do. Many of them trade on a well-earned reputation as much as, if not more than, how attractive their art is to their customer base.

A lot of people don't think art should be a paid occupation. There is this societal stigma that we're lazy, that we're superfluous and even shallow for thinking we deserve payment for making someone's life prettier. A lot of people see artists as stuck-up hippie/hipster/high-society pricks. (Let's be honest; some of us are. Many of us are not) A lot of people don't understand how much work it is, being an artist. We put blood, sweat, and tears into our work. We put love and sorrow, grief and joy into our work. Heart and soul are etched and soaked and carved and painted and melted into every line of our work. Our works are like our children... beloved, worried over, sometimes wayward, but always make us proud when they go out into the world.

We deserve it, as much as the power line worker or forester or construction worker or farmer or any one of a thousand other professions that keep our lives liveable. Yeah, so we're not necessary for survival or even for you, as a customer, to be successful at your life... but we make things prettier, brighter, and what is so wrong with knowing what our hearts and souls are worth when plastered on your wall, or worn around your neck, or adorning your yard?

Live, Love, and Make Art
-your Artful White Fox.

Thursday, March 27, 2014

Foxfire Daily: Fox and Dragon

A conversation with a friend on Facebook sparked (pun definitely intended) a thought process in your Artful White Fox's mind (while I was trying to do the first wirework I've been able to do in almost two weeks because of the sickly in the house).  It's part of our tagline - "Foxfire and Dragonfire come together and a new era of creativity is born" - but what does it mean?

The common element is Fire. But what is Fire?

Fire burns.
Fire melts metal.
Fire creates ash, from which green things grow.
Fire creates power.
Fire warms the cold nights.
Fire is passion.
Fire lives, breathes, grows, and procreates.
Fire is creation and destruction in the same heartbeat.

And both are required for life and growth.

Now... Fox and Dragon... where in the world does that come from?

I, the White Fox, and my partner, the Black Dragon, recognize the fire burning in each other, and it burns brighter, hotter, and stronger together than it could apart. It runs like liquid stars in our veins and pours from our hearts straight into our hands and mouths, where we can share it with the rest of the world.

Fire is the forge and hearth of our life together.

Dragons are fierce, proud, loyal when you've earned it, and deadly when you've not. Dragons hoard what is precious to them, and that is not always gold and jewels. Sometimes a dragon's hoard is a little less tangible... like knowledge or wisdom... or a little less cold, like friends and family.  They can be greedy, but if one is greedy for the right things... well, let's just say there are some things I don't think you can have too much of. And if one turns that greed to thoughtful purpose, instead of mindless acquisition, then it becomes passion. And God help you if you mess with what is precious to them, because they will eat you.

Foxes are wild, shy, gentle, and clever. They are great parents, and good at making safe, warm, cozy dens. They can be loyal companions when they learn to trust. They are often mischievous and love to play. They can and will vanish if threatened. They are strong-hearted and adaptable, surviving where others might not. They're ethereal, hard to grasp, like the wind... but if one comes to stay, treasure it and treat it with respect, and it'll stay with you, and work hard to make your world as bright as it knows how.

I am his White Fox, his kitsune - his bright, wild, magical, overly outspoken and often troublesome creature that comes to his call and stays by his side by choice.  He is my Black Dragon - fierce, proud, loyal, protective, and passionate, who spreads his wing so I may shelter in its shadow.


Tuesday, February 4, 2014

Foxfire Daily: Documented Life Project, Chapter 2

Week 4: Write a secret message and paint over all but one word.

Ok, so I cheated slightly and painted (colored-penciled) over all but 4 words. But Artistic License is what it's all about, right? And I do love me some artistic license... I look at this and see amateurish work - too many angles combined with the organic look of other parts, crappy color combnations, and let's not even go into the "doodles" on the left-hand side of the page - but then I remind myself that I'm out of practice. And I don't have a lot of materials to work with. The only part of this I'm really pleased with is the message I chose, and the Celtic knotwork at the top of the page. 


 Now, next up, for your perusal... remember those leaves from my last post? With no glue, no fancy-pants gouache or any other such thing, I found some gift-wrap tape at the bottom of a box and went to town. You can barely tell where the edges of the tape are. (I hope.) I'm just glad my Bic markers actually stayed on the tape.


Thirdly, my initial (official) attempt at the Week 5 Doodled Border, which mutated into something with no border as of yet, but... well, see for yourself:


Week 6: Open Your Pinterest Board and be Inspired. The lotus has been blooming in my mind lately, as you can see in this in-progress pic. My inspiration was not any one board or artist, but antique Chinese jade carvings. I actually went a little hog-wild for a couple of days straight, obsessively collecting pictures of various and sundry jade sculptures, urns, jewelry, etc and pinning them to my board. You can see the WIP results:


This last one... the flame and the lotus roots... was in part brought into being due to my uncle's touching tribute to his father, who went on to the Summerlands very recently. He was a sweet, darling man who inspired his sons and was greatly loved. His passing came just after a trip with several family members to Panama, where he had done psychoanalytical work with dreams with a tribal chieftan. The chief actually came from several islands away to visit with this man during the vacation. The photos from the trip were a beautiful tribute to my uncle's father, and such a blessing that he got to have that adventure with his family before taking a path they couldn't follow. May we all be so lucky when it's our time.

Live, Love, and Make Art
Ever Yours,
-the Artful White Fox.

Saturday, September 7, 2013

Fox's Muse: Help Pick One!

As my self-imposed hiatus ends (I hope) and I feel some measure of renewed dogged tenacity for my work (enthusiasm's running a bit low, so all I've got to work with is stubbornness), I feel this is an appropriate time for a request for feedback.

I am attempting to create a simple logo that I can paint/engrave/imprint on my work as a signature. I have created three different versions of a simple line kitsune. I don't know which I prefer.  So I need some help!

Look at this picture (ignore the weird winged thing in the upper left hand corner and concentrate on the foxes please) and tell me which you like better:

1. Sitting-up Fox
2. Long-ways Dancing Fox
3. Curled-up Fox
4. Find a way to use all three!!! 

Copyright Leigh Evans 2013. 
Do not steal, use, alter, or redistribute without permission.

Saturday, June 15, 2013

Foxfire Daily: Imagery



Sorry, I don't have sources for these - they've been sent around 
Facebook so long I don't think they have original sources anymore...

Sunday, April 8, 2012

Foxfire Daily: Ostara

Happy Oestre. The time of the waking of the world, of the return of green and growing things, of fertile fields and rich, warm earth. Here's to the return of the sun, the warmth, everything bright and beautiful. Here's to the old ways, the celebration of virility and fertility in this time of year.

Here's to a blessed Spring Equinox.
(image from: http://retremeco.deviantart.com/art/Death-and-Rebirth-288809968)

Saturday, April 9, 2011

Foxfire Daily: With the ebb, with the flow

Fox here, again, with a few thoughts.

Learn to count your blessings - before you know it, you may end up with fewer than you expected.
Take stock of the people who say they care, who say they love you no matter what... and then think real hard about the ones who actually show you that they mean it. (I want to give my mom a hug when I think about this one)
Don't worry, be happy; if you're not happy, maybe it's time for a change.
Good things don't come to he who waits.  Good things come when they want to, and bad things do the same.  The trick is recognizing the difference and holding on tight when the good things show up.

Take the bad with the good and come out smiling on the other side, because neither lasts forever but that's what life is about.  The only lasting good comes when you find someone to walk through it and come out on the other side with you, hand in hand.

It's all about circles and cycles.  Up and down, back and forth, round and round.  This, I think, is the deepest secret, the best wisdom Nature can teach us.  Follow the cycles, the seasons, the natural ebb and flow of life, of everything that is good and right and true in the world.  Every person has their own natural ways.  Take some time to be silent, be still, and listen to your inner seasons.  Is it your Winter, when your trees and flowers sleep? Summer, when everything is warm and maturing towards harvest?  Is it time for your soul's Spring Equinox, when everything starts to bloom again?  It all reflects back and forth, the large mirror and the small, macrocosm and microcosm.  From the smallest cell to the galaxy and beyond, everything in Nature follows its own cycles.  Humans are the only things that fight these natural inner impulses, our inner cycles and seasons, and that is our greatest... and perhaps only... sin. 

As it was
As it is
As it shall be
Forevermore...
With the ebb, with the flow
-Celtic blessing

Friday, April 8, 2011

Foxfire Daily: a Word on My Art

a friend on dA (deviantART for those of you unaware of the site - where I keep my galleries) posted a question asking whether it bothered her watchers that she was moving away from pencil & paper towards a crafting style.  It got me to thinking about my own art, and how I move from medium to medium...

I've found that my art runs in cycles, from pencil & paper (and/or digital) mediums to "solid" mediums (aka my crafting) and back again, and every time it cycles I find myself better at the one I'm coming back to than I was before. I feel, for me at least, it's a natural circle that my artistic self has to make in its own season.

When I get stuck in one medium I move to something different, maybe something new.  For a long time all I did was draw; mechanical pencil and paper.  It was the art class at my middle school that really got me to expand my sights to new avenues and new techniques.  There are things we did that year in art class that I would still love to try again, and other things that I still use.  We learned various inking techniques; I think the one that stood out the most for me was stippling.  I don't use it very often (read: never) because my style doesn't really work with it right now, but I did enjoy it.  The other two art projects we did that stand out are papermaking and batik.  One of these days, I will (I hope) have a chance to try those again.  They were fun, and different, and unique. They weren't as complicated as I expected them to be... even if the papermaking did stink to high heaven!  It was still fun.

Later, I had the opportunity to go to Art of the Carolinas, a huge art convention largely sponsored by Jerry's Artarama (my favorite art supply store... shameless plug!).  I took classes mostly in oil painting, which was my favorite medium of the time, and the one skill I really wanted to expand, but I also took a silk painting class.  Aside from the abstract oil painting class, which was incredibly amusing thanks to the teacher who had a very cavalier approach to his art, my favorite class at that event was the silk painting.  Again, it's something I want to try again some day.  There were techniques discussed in that class that I want to play with and see what I can come up with.

As for my jewelrymaking, I've always loved gems and metals, for as long as I can remember, so it was as natural as breathing for me.  When I was 12 or so, I first started playing with scraps of copper wire (my dad was an electrical engineer and had gobs and gobs of the stuff lying around) and rock crystal found in the driveway. Then I got a book or two and it just kept going from there. I've taken classes in chainmaille, Precious Metal Clay, and lost wax casting, and I've got so many books sitting on my shelf on so many different jewelrymaking techniques that I may never get to try them all.

But isn't that what being a crafter, an artist, and/or artisan is all about?  Finding new ways (and revisiting old ways) to let the muse out to play?  For me, that's exactly what it's all about: letting my muse out to play.

I -like- changing mediums every so often.  The inspirations are the same, no matter how they manifest.  It keeps me from getting bored or frustrated.  And it keeps me learning new things. If you're an artist or artisan and feeling the need to change up your creative routine a little (or a lot), I say go with the flow. It's that inner nature, inner self, instincts telling you what you need and perhaps what the world needs to see from you.